Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Camille Pissarro
Jeanne Holding a Fan, oil on canvas painting by Camille Pissarro

ID: 75661

Camille Pissarro Jeanne Holding a Fan, oil on canvas painting by Camille Pissarro
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Camille Pissarro Jeanne Holding a Fan, oil on canvas painting by Camille Pissarro


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Camille Pissarro

Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;  Related Paintings of Camille Pissarro :. | Path at Le Chou | Resting beneath the trees,Pontoise | Fish market | The Louvre: Morning | Farmland |
Related Artists:
COLLINO, Filippo
b. 1737, Torino, d. 1801, Torino
John Melhuish Strudwick
1849-1937 British John Melhuish Strudwick Gallery
Joos van Craesbeeck
(c. 1605/06- c. 1660) was a Flemish painter who specialized in tavern interiors, tronies, and other works similar to his teacher Adriaen Brouwer. Born in Neerlinter (Flemish Brabant), he became a master in Antwerp's guild of St. Luke in 1633?C1634, and like his contemporaries David Teniers the Elder and David Rijckaert III he developed rustic genre scenes. He subsequently moved to Brussels, where he joined that city's painters' guild in 1651. Paintings such as Death is Violent and Fast are typical of his small, theatrical images of peasants brawling crowded with violent expressive figures. Unlike Teniers, whose style became more elegant, Craesbeeck continued to paint bawdy figures later in his career.






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